George Rickey: An Evolution was produced using private funding from the Indianapolis Cultural Development Commission through a grant from Lilly Endowment and the support of the Estate of George Rickey and the George Rickey Foundation.

All art by George Rickey is © Estate of George Rickey/ George Rickey Foundation. Licensed by VAGA, New York, NY.

Background image: PHOTOGRAPH BY © Carl L. Howard Ballston Lake, NY
George working on the Crucifera, East Chatham, NY 1965.

George Rickey

© Carl Howard
PHOTOGRAPH BY © Carl L. Howard Ballston Lake, NY
George and Edie Rickey in back meadow, East Chatham, NY with Silver Plume II, 1952, discussing an exhibition list. Photo is circa 1964.
George Rickey was born in South Bend, Indiana in 1907; in 1913 his family moved to Scotland where his father, an engineer for the Singer Sewing Company, had been transferred. Rickey studied abroad in Glenalmond, Scotland, Oxford, England and Paris before returning to the United States. As a youth Rickey sailed in the family's small yacht. Harnessing the wind while aboard the boat later influenced his sculpture and focused his artistic expression on "movement as means."

Rickey served in the US Army Air Corps in World War II and was assigned to work with engineers in a machine shop to improve aircraft weaponry, an experience that reawakened his earlier interests in science and technology. In the late 1940's Rickey spent a decisive year studying Bauhaus teaching methods at the Institute of Design, Chicago. This experience, combined with his memories of viewing Alexander Calder's mobiles in New York in the 1930s, caused Rickey to consider the idea of bringing together geometric form and movement. Rickey made his first kinetic sculpture using window glass in 1949 while working as an associate professor at Indiana University in Bloomington. He began making sculptures in earnest in 1950, and received numerous prizes and awards for mobiles and kinetic sculptures which used the laws of nature, wind power and gravity.

In 1960, Rickey moved to East Chatham, New York, which remained his home until his death. He retired from teaching in 1966 after five years at the Rensselaer Polytechnic Institute, but continued to make sculpture, and maintained studios in Berlin, Germany and Santa Barbara, California. Rickey's last sculpture - his tallest, measuring 57 feet 1 inch - was installed at the Hyogo Museum in Japan in 2002.

Rickey received Honorary Doctorate degrees from nine institutions and was elected to the National Institute of Arts and Letters in 1974. In 1995 he was awarded the Gold Medal for Sculpture from the American Academy of Arts and Letters.

In addition to the Indianapolis Museum of Art, Rickey's works can be found in museums around the world including: The J. Paul Getty Museum, Los Angeles, CA; Solomon R. Guggenheim Museum, New York, NY; Hara Museum of Contemporary Art, Tokyo, Japan; The High Museum of American Art, Atlanta, GA; Los Angeles County Museum of Art, Los Angeles, CA; The Metropolitan Museum of Art, New York, NY; The Museum of Fine Arts, Dallas, TX; The Museum of Modern Art, New York, NY; The National Gallery, Edinburgh, Scotland; The National Gallery of Art, Washington, DC; New Orleans Museum of Art, New Orleans, LA; Ruckversicherungs-Gesellschaft, Munich, Germany; Tate Gallery, London, England and the Whitney Museum of American Art, New York, NY.